**Jesse Armstrong Sets the Record Straight on New Film ‘Mountainhead’: “It’s Not About Elon Musk”**
Jesse Armstrong, acclaimed creator of the hit series *Succession*, has spoken out to clarify speculation surrounding his much-anticipated new film, *Mountainhead*. The British writer and producer insists that the project, which marks his first major undertaking since *Succession* ended in 2023, is not “an Elon Musk hit job” as some corners of the internet have suggested.
Set against a backdrop of global uncertainty, *Mountainhead* delves into the world of technology tycoons. The film centres on a group of billionaire friends from the tech sector who come together amidst a cascade of international crises. Their immense influence and unique worldview become central to the story, providing fertile ground for Armstrong’s trademark examination of power and relationships.
In an interview with Matt Chorley on BBC Radio 5 Live, Armstrong directly addressed growing curiosity about the film’s inspiration and its potential ties to real-life figures like Tesla and X owner Elon Musk. “Musk’s obviously been really present,” Armstrong commented, reflecting on the speed with which the project came together. “I didn’t start writing it until January, so it’s not about Elon Musk.” He further explained that while the story features a character who holds the title of “richest guy in the world”, the figure is more an amalgam than a direct depiction.
Armstrong was keen to point out that audiences may recognise hints of Meta’s Mark Zuckerberg and OpenAI’s Sam Altman within the film’s characters, alongside nods to less high-profile personalities from the tech world. “It’s not a Musk hit job,” he emphasised. “It’s an attempt to draw a portrait of a group of people who are incredibly powerful, with their own distinct patterns of speech and ways of thinking.”
This new focus on wealthy figures in technology has naturally drawn comparisons with *Succession*, which chronicled the ruthless dynamics of a media dynasty. Armstrong acknowledged these parallels and the persistent questions he faces. “People keep asking, ‘Why are you writing about these rich people again?’” he noted with a wry smile, attributing some of his sustained interest to the unique environments that surround the ultra-wealthy. “It’s surprising how similar these spaces are to luxury hotels. That’s just where these people seem to spend most of their lives.”
Yet Armstrong is clear that his fascination extends beyond material wealth. “I’m less interested in the money than I am in the structures of power. With *Succession*, it was about the power of news and media; with *Mountainhead*, we’re looking at tech power, the influence of social media, and the reach of artificial intelligence.”
The cast of *Mountainhead* is stellar, featuring Steve Carell as Randall, Jason Schwartzman in the role of Souper (Hugo Van Yalk), Cory Michael Smith as Venis, and Ramy Youssef as Jeff. This ensemble is poised to bring Armstrong’s sharp, satirical vision to life, promising nuanced performances and thought-provoking drama.
*Succession* itself wrapped up in 2023 after an impressive four-series run, during which it drew high viewership and widespread acclaim. With Brian Cox’s memorable portrayal of Logan Roy anchoring the show, it went on to collect 19 Emmy Awards and nine Golden Globes, firmly establishing Armstrong’s reputation as a leading voice in contemporary television.
Beyond *Succession*, Armstrong’s career is decorated with accolades, including an Oscar nomination for co-writing *In The Loop* and BAFTA awards for *Peep Show* and *Succession*. His work is characterised by biting wit and an unflinching look at the corridors of power, whether in politics, media, or now, technology.
*Mountainhead* is set for its premiere on 1 June on Sky and Now, with many industry observers eager to see whether Armstrong’s exploration of tech billionaires will capture the zeitgeist as fully as his previous works. With his latest comments, Armstrong has sought to set expectations: while the film is certain to comment on the issues and personalities shaping the modern world, audiences should not expect a simple lampoon of Elon Musk, but rather a broader, more nuanced investigation of influence in the tech age.