“We Might Have Second Thoughts: Production for Next Season of Hit BBC Series Commences”

**Filming Underway for Second Series of BBC’s ‘We Might Regret This’**
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Production has officially commenced for the highly anticipated second series of ‘We Might Regret This’, the acclaimed BBC comedy-drama, which looks set to delve deeper into the complexities of love, disability, and friendship. The show, originally lauded for its refreshing approach to storytelling around disability, first aired on BBC Two, rapidly building a reputation for both wit and honest representation.
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The debut season, penned by Kyla Harris and Lee Getty, followed the journey of Freya, a thirty-year-old Canadian woman with a disability, who relocated to London to live with her fiancé, Abe. Portrayed by Harris herself, Freya’s struggle to find consistent personal care led her to employ her best friend Jo as her assistant—an unconventional arrangement that opened up a wealth of comedic and heartfelt moments. The first series was notably praised by critics for shining a light on the daily barriers faced by wheelchair users, while not shying away from the nuances of independent living and support networks.

The forthcoming series promises a new chapter for Freya and Abe, as viewers will join them at a particularly hectic stage in their relationship. The plot reportedly centres around the intricacies — and frequent disagreements — between the couple as they attempt to organise their wedding in bustling London. Early hints from the production suggest the storyline will explore the pair’s contrasting beliefs about marriage and what their dream ceremony should look like, testing the strength and adaptability of their bond.

Further complicating matters are The Olivias, Freya’s fabled agents, played by Emma Sidi and Hanako Footman. This season, the duo introduces an unexpected twist: a content creation campaign highlighting disability inclusion, themed around Freya and Abe’s forthcoming nuptials. The blend of social media spotlight and personal life adds yet another layer of tension—and amusement—to the unfolding narrative.

The show also promises to delve into Abe’s complicated past with Jo, Freya’s assistant and close friend. As Abe struggles with lingering trust issues, his dynamic with both women is set to be a source of conflict, introspection, and, no doubt, comedic awkwardness. These narrative threads underline the series’ ability to interweave genuine emotional dilemmas with its trademark humour.

Notably, the ensemble cast continues to grow in prominence. ‘Detectorists’ actor Sophie Thompson joins the roster as Beanie McElroy, a designer determined to guide Freya through the wedding dress process, adding a potential new ally—or adversary—to the mix. Returning to reprise their roles are Sally Phillips, known for her work in ‘Miranda’, Edward Bluemel from ‘Sex Education’, Aasiya Shah of ‘Call the Midwife’ fame, and Lolly Adefope from ‘Ghosts’, ensuring continuity and familiarity for long-time fans.

Writers Harris and Getty, fresh from a BAFTA TV Craft Award nomination in the Emerging Talent category, expressed their enthusiasm for the new series. In a joint statement, they teased: “We’re beyond excited to be back on set with series two of We Might Regret This! Expect more laughs, hard truths, and nipples.” Their playful tone suggests that the upcoming episodes will continue to push boundaries while keeping the core of the show rooted in honesty and humanity.

Executive Producer Rebecca Murrell of Roughcut, the production company behind the series, echoed the sense of anticipation, describing the return to filming as “a delight”. She said, “Series two reboots our knotty relationships with drama, hope and hilarity,” hinting that the complicated interpersonal dynamics, combined with the unique challenges the characters face, will again take centre stage.

With high expectations following the inaugural season’s critical acclaim, ‘We Might Regret This’ is set to return with a blend of sharp comedy, social commentary, and relational drama. Audiences eager for both laughter and meaningful representation will no doubt be awaiting its broadcast with great anticipation.