**Aimee Lou Wood and Walton Goggins Laugh Off ‘Absurd’ Feud Rumours Following White Lotus Series**
Speculation has been rife regarding an alleged rift between *The White Lotus* co-stars Aimee Lou Wood and Walton Goggins, whose on-screen chemistry has captivated audiences in the latest season of the acclaimed HBO series. However, both stars have addressed recent feud rumours, steadfastly denying any animosity and describing the conjecture as entirely “ridiculous”.
The whispers began circulating after Goggins, a veteran American actor, appeared to unfollow his British co-star Aimee Lou Wood on Instagram in the wake of the show’s third series set in Thailand. In this season, Wood portrays Chelsea, a character attempting to soothe her enigmatic and older boyfriend Rick, played by Goggins, amid the mounting tensions and intrigue synonymous with the *White Lotus* franchise. The show’s success and the notable dynamic between the two characters prompted eagle-eyed fans and internet sleuths to scrutinise their behaviour off-screen.
Rumours intensified when Goggins quietly distanced himself on social media, leading some followers to question the harmony behind the scenes. The narrative gained further momentum online, becoming fodder for celebrity gossip columns and fan forums alike. Nevertheless, the actors recently sought to put these stories to bed during a candid interview with US publication Variety.
“There is no feud. I adore, I love this woman madly, and she is so important to me,” Goggins said emphatically, his comments imbued with a sense of real affection and professional admiration. He elaborated that he had intentionally refrained from addressing the reports until he could do so with Wood present, wishing to avoid speaking about her behind her back.
Wood echoed this sentiment, expressing her exasperation at the disproportionate focus on social media interactions as indicators of personal relationships. “Why is everyone obsessing over Instagram? That is irrelevant. We don’t give a shite about Instagram,” she stated, highlighting a broader cultural preoccupation with online gestures.
Goggins offered insight into his personal approach following the wrap of a major series, explaining, “When I finish a project like *The White Lotus*, it’s my process to step away for a while, not just from co-stars, but from everyone. It’s all so ridiculous—this will not impact the enduring friendship Aimee and I have.” He was keen to assure fans that the supposed feud was nothing more than unfounded speculation, and that the bond forged during filming would remain intact.
In a separate but related topic, Wood had previously spoken out against a *Saturday Night Live* sketch in which she was lampooned with exaggerated prosthetic teeth. Calling the portrayal “mean and unfunny”, Wood further described it as feeling “misogynistic”, questioning the value of making a woman’s appearance the centre of the joke—a perspective that resonated with many of her supporters online. Goggins had at first praised aspects of the sketch, particularly Jon Hamm’s impression of his own character, before later deleting his supportive social media post.
According to Wood, *SNL* apologised after the incident, with cast member Sarah Sherman sending her flowers as a gesture of contrition. Both she and Goggins underlined that social media usage did not accurately reflect the reality of their working relationship or personal rapport.
Aimee Lou Wood’s career continues to rise, having gained acclaim in Netflix’s *Sex Education*, the BBC’s *Daddy Issues*, and the film *Living* opposite Bill Nighy. Her accolades include a BAFTA for her work in television and a Rising Star nomination. Meanwhile, Walton Goggins boasts a distinguished résumé featuring roles in *Justified*, *Sons of Anarchy*, and more recently, *Fallout*, alongside two Emmy nominations.
Despite the digital rumour mill, both Wood and Goggins appear unfazed, urging the public to focus less on perceived slights and more on the work itself. Their mutual respect and openness in confronting the controversy reflect a professionalism that continues off-screen, even as their characters navigate complex tensions on it.